Middle School Percussion. High School Percussion. Drummer Bot. College Percussion. Drum Set. Drum for College. No part of this website may be reproduced without express permission. FreeDrumline Music. We support vic-firth drum sticks, remo and evans marching drum heads as well as Yamaha marching percussion drums and drum sets. However, FreeDrumlineMusic. Pearl drums, Dynasty drums, Tama drums, Mapex drums, and Ludwig drums are all percussion companies that we greatly support as well.
Choosing the right drum stick is very important. As a musician it is your call when you feel to make the appropriate decision when it comes to stick selection. This is why we recommend both Pro-Mark and Vic-Firth drum sticks.
Drum stick selection varies when it comes to choosing a pair for drum set or marching percussion instruments such as snare drum, tenors, or bass drums. Cymbal selection for marching percussion drumlines is also a very important factor to consider.
We recommend Sabian crash cymbals in a variety of diameters as well as Zildjian crash cymbals. Both Sabian and Zildjian have a great selection of ride cymbals, hi-hats, splash cymbals, and various other effects cymbals to choose from. Drum head selection is important as well. Pretty much my entire community knows it by heart. Most spectators are die-hard sports fans but not all. Those who attend sporting events to socialize often take their cheering cues from drum cadences.
Like other songs that marching bands play, cadences evoke a particular mood. This cadence can last up to 45 seconds. It can run up to two and a half minutes. For fast, high-step marching, the Notre Dame marching band has three military parade cadences and three modern rock-style cadences.
The latter three are accompanied by cheers that rally a crowd but can also be performed during parades. When Northport marches in community parades attended by individuals—including alumni—of all ages, the drumline features its more traditional cadences. While drumlines are performing cadences or drum features, often other band members will join in with body movements, instrument movements, or vocals.
The Perrysburg band has developed a set of horn movements; at Northport the entire band joins in with vocals and movements. If I like them, we use them. Like composing other musical pieces, creating cadences takes talent. At the high school level, a professional percussionist or teacher often writes the cadences, Cromeyn says. At the college level, where drumline members are more proficient on their instruments and may have been instructed in musical composition, students might write the cadences.
The next three cadences in its marchout sequence are from the s. Keeping with the times, these cadences have more of a rock beat and were written by students. Tips and Warnings. Related Articles. Author Info Last Updated: January 26, Have a basic knowledge of notes, time signature, key signature, rhythm, and pitch. These are the building blocks of your writing. Keep it simple. One set of four quarter notes played correctly can be much more effective than three or four measures of complex material.
Put down the sticks gently. Often you'll find yourself in a haze of your own playing. Avoid these mistakes: Forget. A long series of notes can be tricky to remember, especially when different rudiments are involved.
This is flashy, fun, eye grabbing, and may reflect great skill, but often in solos, the tempo is lost and will sound horrible with the rest of the line. Tap out some quarter notes and say , don't tap , a rhythm that pops into mind. Do eight or nine counts then stop. Repeat those counts three or four times.
Then, if you like it, write it. Repeat last step until a fluent piece is written. This is most likely your snare part. Go through the cadence one measure at a time and think of a cool bassline. Sometimes ripples are nice, or even dynamic quarters. Steady quarters are another option. Sometimes only the offbeat will give a funky sound to the line.
It all depends. Go through both parts of the whole cadence and look for opportunities to work in rudiments, e. These sometimes help dynamics on either hand or at different points. They are also more professional.
Go through once more and finalize those two parts. A general rule to follow is to make sure every accent on the snare and bass drums is hit by the quads on a different drum. For example, if the snare drum accents every other beat, make sure every other beat gets a different drum. Incorporate more than one drum. Use all manner of rudiments, accents, and even make chords with different drums.
Even clapping and hands playing are effective. Ask a friend or a colleague who is experienced in writing cymbal literature to write a cymbal part to the cadence. Cymbals are much more than crashes and hi-hats. Sometimes even the most basic cymbal parts can add a completely different sound to your cadence. Ask a friend who plays cymbals about all the different sounds and techniques you can create with a pair of cymbals.
You might be surprised. Balance and regulate.
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